The content of this session focuses on the basic concepts of the core idea “live performance/performance recording” or, what is the same: regarding the distance between the live piece (choreography, performance) and the filmed piece.
Throughout the session we deal with the key questions involved based on the analysis and interpretation of well-known dance film and video items. The sessions will consist of a comparative study of the chosen items, thus allowing us to analyse the difficulties involved in the live/recorded debate by means of said items.
Image: Yvonne Rainer. Lives of Performers, 1972.
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Gabriel Villota is a Fine Arts graduate and has a Doctorate in Audio-visual Communication from the University of the Basque Country, where he is currently teaching in the Department of Audio-visual Communication and Advertising.
He has been the visiting researcher at several universities and has worked as an artist and organiser of different visual arts activities since the early 90s. His work has been published in numerous specialised journals, art catalogues and other written media.
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