Thank you very much to all those who had in the call. Now it's up to the jury to deliberate; its final decision will be communicated in November.
Three sisters grow up in a broken home. They are at each other’s mercy and survive as long as they are together. But is their loving connection strong enough to endure their gloomy surroundings?
A Palestinian artist, Bashar, recounts how dabke has been for him and his community a form of identity, resistance, and personal transformation, especially after his cultural experience in France.
Director: Iyad Alasttal
Choreographer: Bashar Al-Belbessy
Zinetika Festival will open its call for film submissions for the 2026 edition from March 1 to May 31. If you’re preparing your film, mark the dates and don’t leave it to the last minute.
The 2024 edition of Zinetika Festival has closed its doors after three weekends full of art and emotions in three Basque cities. With sold-out activities in all its venues, the festival consolidated its success in Pamplona, with activities at Civivox Condestable and Civivox Iturrama (November 30 and December 1); in Bilbao, at the Guggenheim Museum (December 7); and in San Sebastián, at Gazteszena and Trueba Cinemas (December 15 and 16).
The window for submissions starts on March 1st and goes to May 31st, both inclusive. Hurry up and submit your films!
It is a multidisciplinary performance based on the encounter between dance, architecture and music, in non-stage spaces. As its name suggests, it plays with perspectives, evoking a cinematographic atmosphere.
To Let Go is a performance installation by Laida Aldaz. It consists in two visual poetry books of great dimensions, containing 4 screens embedded in which the images reflect the impossibility of letting go.
THE ROOM is an experimental short film filmed in January 2020 and directed by Laida aldaz Arrieta. In his search to deepen the relationships between the body and space, he reflects, through a single shot, on the impossibility of getting out of the daily routine in which we are isolating ourselves. Sometimes a simple room with a closed door is all we need to start a choreographic creation process.
One space. Two dices. 10 dancers. One game of chance. The possibility of creating in the confinement.
