This play speaks abot the role of relationships. It is presented with characters that interwine and observe, from the demand of being something or someone everytime. Next to Diego Pazo and Dácil González, Daniel Abreu dances boundaries and strategies about presence and makes it by exploring the posibilities and particularities of the language of the dance.

They are told as options, like an enormous ecosystem of ways of see living in each of us. The feeling of being multiple, the one who has to face the variety of climates, and not only the seasons, but also the ever-changing landscapes.

The interest of polysemic leads to find similarities in different points, not only related to nature, but also in social or technological ecosystems. A living body is exposed against the inmensity o fan habitat where it tends to protect itself while exposing, with walls defending us and that might define us.

John Berger says: “It is aoutside cieties where nature, geography, climate have their major strenght, their greatest impact capability, which stablishes horizons. In the cities, if we were at the top of a tower with no views, there are no horizons… The direction od the jungle is fertile, politheist, mortal. The direciton of deserts is severe, unalterable.”

This can be a territory, but also is a body and how it interacts.